Features - Records to WAV and CAF files - 16 bit, 24 bit integer and 32 bit floating point sample format - Any sample rate supported by the audio interface - Recording to multiple storage devices at once - Records metadata including project, scene, take, timecode and channel names - WAV files are recorded in Broadcast Wave Format (BWF) with iXML metadata - Sound reports are generated in HTML format - Decodes LTC Timecode from an audio channel (uses 1 channel) - Pre record buffer, recording before you press the record button - Spectrum Analyzer - Mixing and routing on inputs and outputs. Boom Recorder Lite has many metadata fields that are used during a film production, making it easy to keep track of the many audio files in post production.
#Boom recorder pro tv#
It has been designed to be used during the high stress production of a TV or film shoot, a concert or a live stage performance. Gallery Secure WebStore (hosted by NDI.Boom Recorder Lite is a stereo field recorder. If you don't yet own MetaCorder - now is the time to claim your copy at this super low special offer price. MetaCorder is the original and best production sound recorder for laptops and Mac Minis. Thats a more than 80% discount !Ĭompatible with macOS versions from 10.6 to 10.13 High Sierra, Dante, Ravenna and all Core Audio interfaces. Down from the US$1795 price it has been since launch, you can now buy the same MetaCorder product for just £249 pounds sterling. Gallery has recently completely overhauled its website and webstore, and to celebrate, there is an *incredible* special offer on Metacorder for a limited period. Talking of a purpose built tool like Metacorder. Most of these are for long form performance capture and not necessarily lots of relatively short takes with heavy metadata requirements, although can be adapted, isn't going to be quite the same experience or deliverable product as a purpose built tool like Metacorder. Not quite the same but there are some light weight dedicated recording programs like Presonus Capture (when using studiolive mixers), Waves Tracks Live, Nuendo Live. I'll be interested to hear if you find something more equivalent to MC/BR for PC-I never could despite years of looking. When I was recording production sound in this manner I found that the best course of action for me was to get a Mac laptop and go with Boom Recorder, even though my other computers at that time were mostly PCs.
#Boom recorder pro movie#
But.overall, if your work is recording location production sound for movie type projects and you want to use a computer-based rig to do it, there is nothing that compares to Boom Recorder for flexibility, reliability and support. For Linux there is Ardour, but I have no experience with it at all.
#Boom recorder pro Pc#
I've used all of these apps a fair amount, and for the PC would recommend Reaper. There is also Audio Desk from MOTU (which I think they give you free when you buy a MOTU interface) it's basically Digital Performer without all the MIDI stuff and a few other tricks. I know other folks who run ProTools "vanilla" as a capture app (mostly for music).
I have also found that if you dig in a bit you can discover many ways of doing things yourself, and Reaper, as a clean, new, 21st century app, is very unburdened by legacy code. Reaper is a full-up DAW, not a capture-only app like Boom Recorder, and it doesn't come with certain movie-centric features ready to go, like TC input, reporting, etc., but the drill with Reaper is that I have never found anything that someone somewhere hasn't figured out a way to do in Reaper-the user community is enormous and very creative. Reaper is the easiest and cheapest to get going (like free), and very fast and reliable even on wonky PC laptops (like my location machine).
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